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<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description></description><title>Untitled</title><generator>Tumblr (3.0; @nadchairil)</generator><link>http://nadchairil.tumblr.com/</link><item><title>
untitled (to Ward Jackson, an old friend and colleague who,...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lvrhoagi0u1qghk7bo1_500.png"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;untitled (to Ward Jackson, an old friend and colleague who, during the Fall of 1957 when I finally returned to New York from Washington and joined him to work together in this museum, kindly communicated) - &lt;/em&gt;Dan Flavin, 1971&lt;/p&gt;
&lt;p&gt;From the Guggenheim:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;span&gt;The artist Mel Bochner credited Flavin’s practice as embodying “an acute awareness of the phenomenology of rooms.” This awareness stemmed from Flavin’s rejection of studio production in favor of site-specific “situations” or “proposals” (as the artist preferred to classify his work) and is nowhere more evident than in his 1971 installation for the Guggenheim, &lt;/span&gt;&lt;em&gt;untitled (to Ward Jackson, an old friend and colleague who, during the Fall of 1957 when I finally returned to New York from Washington and joined him to work together in this museum, kindly communicated)&lt;/em&gt;&lt;span&gt;. Initially occupying one full turn of the museum’s ramps, and according to the artist, “critically fitted to the inconsistent dimensions of the variable architecture,” the work was conceived so that it could be extended to fill the entire rotunda, as was done in 1992.&lt;/span&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;/blockquote&gt;</description><link>http://nadchairil.tumblr.com/post/14289835121</link><guid>http://nadchairil.tumblr.com/post/14289835121</guid><pubDate>Thu, 15 Dec 2011 21:10:34 -0500</pubDate></item><item><title>
untitled (to Tracy, to celebrate the love of a lifetime) - Dan...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lvrhuhHF3U1qghk7bo1_500.png"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;untitled (to Tracy, to celebrate the love of a lifetime) - &lt;/em&gt;Dan Flavin, 1992&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://nadchairil.tumblr.com/post/14289802923</link><guid>http://nadchairil.tumblr.com/post/14289802923</guid><pubDate>Thu, 15 Dec 2011 21:09:57 -0500</pubDate></item><item><title>
Eugène Atget, Animal Circus, Fête des Invalides, negative 1898,...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lw81fbt4dz1qghk7bo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;blockquote&gt;
&lt;p&gt;Eugène Atget, &lt;em&gt;Animal Circus, Fête des Invalides, &lt;/em&gt;negative 1898, printed 1920s&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://nadchairil.tumblr.com/post/14288246131</link><guid>http://nadchairil.tumblr.com/post/14288246131</guid><pubDate>Thu, 15 Dec 2011 20:39:57 -0500</pubDate></item><item><title>19thcentury-nchairil:

 
Paris at the time of the...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lt93gia6d61r51jv5o1_500.gif"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a class="tumblr_blog" href="http://19thcentury-nchairil.tumblr.com/post/11606336682/paris-at-the-time-of-the-impressionists"&gt;19thcentury-nchairil&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;h1&gt;Paris at the time of the Impressionists, 1848-1914. &lt;/h1&gt;
&lt;p&gt;&lt;span&gt;&lt;span class="dam_lg_auteur"&gt;Jean-Louis Forain (1852-1931)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span class="dam_lg_auteur"&gt; &lt;/span&gt;&lt;span class="dam_lg_titre"&gt;At the Café de la Nouvelle Athènes&lt;/span&gt;&lt;span class="dam_lg_date"&gt;1892&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span class="dam_lg_date"&gt; &lt;/span&gt;&lt;span class="dam_lg_mtt"&gt;Indian ink, gouache, graphite, watercolour, brush&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span class="dam_lg_mtt"&gt; &lt;/span&gt;&lt;span class="dam_lg_dimensions"&gt;H. 36.2; W. 39 cm&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span class="dam_lg_dimensions"&gt; &lt;/span&gt;&lt;span class="dam_lg_lieu"&gt;Paris, Musée d’Orsay, kept in the Graphic Arts Department, Musée du Louvre &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://nadchairil.tumblr.com/post/14287165396</link><guid>http://nadchairil.tumblr.com/post/14287165396</guid><pubDate>Thu, 15 Dec 2011 20:19:00 -0500</pubDate></item><item><title>19thcentury-nchairil:

 
Nature Caught in the act: photograph by...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lt936yzgXk1r51jv5o1_500.gif"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a class="tumblr_blog" href="http://19thcentury-nchairil.tumblr.com/post/11606256002/nature-caught-in-the-act-photograph-by-charles"&gt;19thcentury-nchairil&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Nature Caught in the act: photograph by Charles Aubry (1811-1877)&lt;/p&gt;
&lt;p&gt;QuincesCirca 1864&lt;/p&gt;
&lt;p&gt;Albumen print from a dry collodion glass negative glued on cardH. 25; W. 36.1 cm&lt;/p&gt;
&lt;p&gt;Paris, Musée d’Orsay© Musée d’Orsay, dist.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://nadchairil.tumblr.com/post/14287067736</link><guid>http://nadchairil.tumblr.com/post/14287067736</guid><pubDate>Thu, 15 Dec 2011 20:17:07 -0500</pubDate></item></channel></rss>
